Bill Evans And Jim Hall - Undercurrent MoFi Vinyl LP 180g Limited Numbered

Bill Evans And Jim Hall - Undercurrent MoFi Vinyl LP 180g Limited Numbered

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Track Listing

A1: My Funny Valentine
A2: I Hear A Rhapsody
A3: Dream Gypsy

B1: Romain
B2: Skating In Central Park
B3: Darn That Dream




Diverse Set Encompasses Ballads, Waltzes, Hard-Swinging Bop

Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.

While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.

In tackling standards such as Rodgers and Hart's "My Funny Valentine" and the Broadway classic "Darn That Dream," as well as the Hall original "Romain," the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title.

Indeed, even the album's cover - an iconic photograph by Toni Frissell - exhibits the surreal, almost-hallucinogenic properties of the fare contained within.

GAIN 2(TM) Ultra Analog(TM) System for Vinyl

GAIN 2 Ultra Analog(TM) is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of Mobile Fidelity Sound Lab's founding fathers - Stan Ricker, an audio engineer responsible for many of MFSL's most heralded past releases.

The GAIN 2 Ultra Analog(TM) system is comprised of a Studer(TM) tape machine with customised reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog(TM) system can unveil sonic information all the way up to 122kHz!)

First and foremost, Mobile Fidelity Sound Labs only utilise first generation original master recordings as source material for their releases. MFSL then play back master tapes at half speed enabling the GAIN 2 Ultra Analog(TM) system to fully extract the master's sonic information. The lacquers are then plated in a specialised process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial playback, but as the disc is played more, a high-quality stylus will actually polish the grooves and improve the sound). MFSL further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors' items, ensure that the quality of the last pressing matches the quality of the first.

Album Credits

Produced by Alan Douglas

Engineered by Bill Schwartau

Mastered from the Original Master Tapes by Krieg Wunderlich at Mobile Fidelity Sound Lab, Sebastopol, CA on the GAIN 2 ULTRA ANALOG SYSTEM.

Release Information

Label: Mobile Fidelity Sound Lab, MOFI 1-031

Series: Silver Label Vinyl Series

Format: Vinyl LP, Limited Edition, Reissue, Remastered, Numbered, Gatefold

Country: US

Released: 2014

Genre: Jazz

Packaging Disclaimer

Mobile Fidelity records are typically supplied in a thin plastic wrap with a perforated edge. Unfortunately, during normal handling, it's very easy for this perforated edge to pop open. Rather than ship your record exposed to the elements, if this outer wrap pops open, we carefully replace it with a proper sealable outer record sleeve in order to keep your record safe. Trust us, it's for the better! Have no doubt that your record is brand new and ready to add to your collection!

GTIN: 821797100311

Shipping Details

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Delivery times vary by location, but estimated timeframes are between 2 - 8 business days.

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If you've ordered an incorrect item, we will happily exchange it for the correct item or offer a refund for the cost of the item ordered.
 
Please contact us to organise your exchange within 30 days of receiving the item, and return it to us within 30 days.
 
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Any difference in price for an exchanged item will need to be paid in full by the customer upon request of the exchange.
 
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We are either the manufacturer or authorised reseller of all the products listed under our Selby brand name and you can be assured every item is genuine and brand new unless specifically described otherwise. Every product we sell includes at least a 12 month warranty (eg: electrical products) and many of our products include a lifetime warranty. In the rare case that you do experience any problems you can deal directly with us to get any issues resolved.
 
Our goods come with guarantees that cannot be excluded under the Australian Consumer Law. You are entitled to a replacement or refund for a major failure and compensation for any other reasonably foreseeable loss or damage. You are also entitled to have the goods repaired or replaced if goods fail to be of acceptable quality and the failure does not amount to a major failure.
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