Illegal migrants crammed into wagons, exploited on arrival in their new home and abandoned to die when the risks of smuggling them become too high are all too common realities in current news stories so it is a little strange and unsettling to see these same images and themes at the heart of a genre film from almost 40 years ago. But that is the case with No Room to Die and it gives the film real resonance for a contemporary audience. Resonance it needs because in some other ways the film fails to live up to its sum parts.